Leuchtfeuer
04/11/2024
Next Saturday I have the pleasure to appear as guest with the Trio Nicolai – Ruffing – Tartaroglou, when they perform there piece Leuchtfeuer. Another guest appearance will be by the venerable electronics master from Greece: Costis Drygianakis. Saturday, Nov 09 KASKO // Werkraum Warteck pp. Burgweg 15, 4058 Baseldoors: 20:30
Karmen Camina
09/08/2024
Playing at Karmen Camina tonight, a cool place in Strasbourg with a multi-speaker system 🙂 https://www.instagram.com/karmen.caminahttps://www.facebook.com/karmen.camina
Electric Spring !
15/02/2023
I’m excited to play a set at Electric Spring Festival in Huddersfield! I’ll be trying out my new setup including a newly designed feedback system in MaxMSP and some modular synth stuff.
SCHIMMER – album release
09/02/2023
The music on this album started out as duo improvisations of saxophone and piano. The electronic parts were added later in an effort to add a counterpoint to the acoustic dialog. These parts were also mostly recorded from improvised sessions and later more or less heavily edited.
MaxMSP: Reduce CPU load by avoiding excessive GUI updates
24/12/2016
In MaxMSP it’s very easy to create relatively good looking graphical user interfaces (GUIs) quickly, which no doubt can be very helpful in a lot of situations (user guidance, performance, teaching etc.). But it’s also true, that the display of (especially dynamic) graphics taxes the CPU quite a lot.
a 64-bit version of sigmund~
29/06/2015
I’m slowly trying to replace all external objects in my performance system by 64-bit versions, so I can finally run MaxMSP in 64-bit mode. Most of the externals in my setup are from code that I wrote myself – so no big problem updating those. But one of the few externals from other people that i use is the famous sigmund~ object by Miller Puckette.
Fourses!
31/12/2014
Some time ago there was a discussion on the MaxMSP-forums going on about recreating a specific chaotic oscillator. Actually this goes back to this site: ciat lonbarde, where you can find all sorts of “intuitive analog organs for your atonal/chaos squishing needs” as the author says…